Marking Time
Relief printing using oil-base ink on Nishinouchi paper on a wooden spool. 7 in x 20 ft
Marking Time, detail
Relief printing using oil-base ink on Nishinouchi paper on a wooden spool. 7 in x 20 ft
Fib Lines
In collaboration with Gin Pollack
Photolithography on Rives BFK and shellacked Kozo paper, sewn into Davey board,
7.25 x 15 inches (open), edition of 3.
The West Being What It Is
In collaboration with Nancy Eastman
Letterpress, intaglio, letterpress, handmade paper, Van Dyke Brown prints, intaglio prints, letterpress, shellacked Kozo paper, found paper and objects. The non-adhesive structure is bound using a modified version of the Secret Belgium binding, 7.75 x 21 inches (open), unique book.
The West Being What It Is
In collaboration with Nancy Eastman
Letterpress, intaglio, letterpress, handmade paper, Van Dyke Brown prints, intaglio prints, letterpress, shellacked kozo paper, found paper and objects,
7.75 x 21 inches (open), unique book.
A Chicken in Every Pot
Poem by Tom Parson
Intaglio and letterpress on Kozo, shellac, wax sewn into Davey board, 14 x 24 inches (open), unique book.
No Parking
Screenprinting on Rives BFK, mounted to museum board using discarded maintenance screens, 8 x 19 inches (open), unique book.
